Brent is an aspiring playwright originally from Baltimore County, though a recent job transplanted me to Los Angeles to work as a sales representative for a chemical company. Prior to that he taught high school English, and is currently working as an editor for an educational content developer in Baltimore.
BWW Reviews: The Mystery of MARY ROSE
November 9, 2012
Rep Stage continues its 20th Anniversary season with a compelling production of J. M. Barrie's haunted drama.
BWW Reviews: Exploiting A BEHANDING
October 26, 2012
Martin McDonagh's A BEHANDING IN SPOKANE offers cheap laughs and little else.
BWW Reviews: Theatrical Mining Company's PASSPORT to Redemption
August 17, 2012
The 2012 Baltimore Playwrights Festival and Theatrical Mining Company present a new play by Kevin Kostic, set during the post-election riots of Kenya in 2007.
June 7, 2012
Rain Pryor, the new artistic director at Baltimore's Strand Theater, directs a moving production of Lisa Kron's WELL.
Summer Stages: BWW's Top Summer Theatre Picks - Baltimore Take 2!
June 7, 2012
Baltimore is brewing some great summer theatre with productions Bent, Come Out and Say It, Following Sarah and Passport, the last two selections from the Baltimore Playwrights Festival.
BWW Reviews: Minding 'THE GAP' at Glass Mind Theatre
June 5, 2012
Glass Mind Theatre's third-annual short-play festival pairs playwrights with play settings submitted by audience members.
A Potent WHIPPING MAN
April 23, 2012
Kwame Kwei-Armah directs his first play since becoming Center Stage's artistic director, an excellent production of Matthew Lopez's THE WHIPPING MAN.
April 6, 2012
Single Carrot Theatre presents a spectacularly inventive interpretation of Charles Mee's HOTEL CASSIOPEIA.
Blood-bound and Tongue-tied to Greek Mythology
March 30, 2012
In Jacqueline E. Lawton's new play, BLOOD-BOUND AND TONGUE-TIED, the parallels to the tragedy of Oedipus co-exist awkwardly with a story about race and identity in 20th-century America.
March 20, 2012
Fells Point Corner Theatre produces an excellent production of Annie Baker's compelling play, CIRCLE MIRROR TRANSFORMATION.
ADAPTING CINDERELLA ... But Why?
March 12, 2012
In Glass Mind Theatre's ensemble-generated ADAPTING CINDERELLA, the magic of the story proves elusive.
BWW Reviews: Exaggerated COASTAL DISTURBANCES
February 21, 2012
At Fells Point Corner Theatre, Tina Howe's 1987 play, COASTAL DISTURBANCES, lacks nuance.
BWW Reviews: Hurston GLEAMS in Baltimore
January 12, 2012
Bonnie Lee Moss Rattner's adaptation of Zora Neale Hurston's THEIR EYES WERE WATCHING GOD receives its third production-the first in nearly 25 years-at CENTERSTAGE.
December 5, 2011
Glass Mind Theater presents a solid production of Sarah Ford Gorman's still-gestating play, AND UNDERNEATH THE MOON.
An Enjoyable Time ON THIS ISLAND
October 24, 2011
The Red Branch Theatre Company concludes its season with a production of ONCE ON THIS ISLAND, a tuneful re-imagining of 'The Little Mermaid.'
A Moving OUR TOWN
October 10, 2011
The Chesapeake Shakespeare Company brings OUR TOWN to life in the ruins above Ellicott City.
BWW Reviews: The Theatre of CHURCH
October 5, 2011
Single Carrot Theatre opens its fifth season with Young Jean Lee's thought-provoking call to worship, CHURCH.
An Entertaining DEN OF THIEVES
September 18, 2011
Baltimore's Glass Mind Theatre opens its second season with an enjoyable production of Stephen Adly Guirgis' intriguing play.
Free Love, or Aphra, Charles, and Nell
September 8, 2011
Rep Stage opens its 19th season with a production of Liz Duffy Adams' Restoration-style comedy, 'Or,', an unexpectedly moving play masquerading as farce.
Asking the Hard Questions
August 15, 2011
The latest entry in the Baltimore Playwrights Festival, Nancy Murray's ASKING QUESTIONS, overcomes some curious choices to deliver an engaging evening of theatre.
A Triumph of a Shakespearean Travesty
July 4, 2011
The Chesapeake Shakespeare Company continues its season with a hilarious production of THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED).
LOVE AND HUMAN REMAINS in Baltimore
June 5, 2011
Iron Crow Theatre Company concludes its first season with a gripping localization of Brad Fraser's LOVE AND HUMAN REMAINS.
MIXTAPE in a Minor Key
May 15, 2011
Glass Mind Theatre's annual short play festival features six new plays by local writers inspired by songs.
A Rule-Breaking SPEECH & DEBATE
April 18, 2011
Rep Stage presents a terrific production of Stephen Karam's off-Broadway play.
INTO THE WOODS Worth the Journey
March 27, 2011
Columbia's Red Branch Theatre Company presents a fine production of James Lapine and Stephen Sondheim's much-loved musical.
The Transience of Beauty at CHRISTMAS
March 21, 2011
Three seasons after staging THE BALTIMORE WALTZ, Single Carrot Theatre returns to the memory-world of Paula Vogel in a haunting production of THE LONG CHRISTMAS DINNER.
Zombies in My NEIGHBORHOOD
March 14, 2011
Glass Mind Theatre's production of NEIGHBORHOOD 3: REQUISITION OF DOOM, though marred by inconsistencies, is more evidence that Glass Mind is exceptionally committed to theatre-building in Baltimore.
A Rare Miss for the CSC
February 28, 2011
In Shakespeare's late romance, CYMBELINE, playing through March 19 at Oliver's Carriage House in Columbia, the familiar becomes the strange.
You Can Depend on STREETCAR at Spots
January 10, 2011
The Audrey Herman Spotlighters Theatre presents a fine production of the Tennessee Williams classic.
A Breath of Fresh Air for the Holidays
December 6, 2010
Local playwright Kate Bishop's A PEPPERMINT PATTY CHRISTMAS turns holiday traditions inside out.
The Glory of THE GLORY OF LIVING
October 10, 2010
The Strand Theater opens its 3rd season with Rebecca Gilman's Pulitzer Prize-nominated play.
A Pair of Gems by J.M. Barrie
October 9, 2010
Rep Stage continues its 18th season with a terrific production of two seldom-produced plays by J.M. Barrie.
A Twisting, Turning FOOL FOR LOVE
September 19, 2010
Fells Point Corner Theatre kicks off its 24th season with a fine production of Sam Shepard's 1983 play, FOOL FOR LOVE.
SCORPIONS Makes Strange Bedfollows
August 10, 2010
The latest entry in the 2010 Baltimore Playwrights Festival, Mark Scharf's SCORPIONS, receives a solid production at Fells Point Corner Theatre.
Glass Mind Announces First Season
July 25, 2010
Baltimore's Glass Mind Theatre Company to perform works by local and non-local playwrights.
BLACK WIDOWS Could Use More Work
July 10, 2010
The second production in this year's Baltimore Playwrights Festival, Susan Middaugh's promising BLACK WIDOWS, is marred by missed cues and unclear motives.
A Less-Than Compelling HAMLET
July 5, 2010
In its first-ever production of Shakespeare's HAMLET, the Chesapeake Shakespeare Company gets most everything right ... except for the prince.
BWW Reviews: A TRAGEDY for the Jon Stewart Generation
June 21, 2010
Single Carrot Theatre concludes its third season in Baltimore with a well-crafted production of Will Eno's TRAGEDY: A TRAGEDY.
A Devastating GOAT Song
June 7, 2010
Rep Stage concludes its 2009-2010 season with a searing production of Edward Albee's THE GOAT, OR WHO IS SYLVIA?
The Heartache of YOUTH
May 17, 2010
Standing O Productions, the 3-year-old theatre company based in Arnold, mounts a memorable production of Kenneth Lonergan's THIS IS OUR YOUTH.